Our Footprint. From Above.
Rural and Urban Scapes compete for co-existence. Their battle unresolved and continuing.
Audition is a feature film produced by Keylight Studios.
Release expected 23rd February 2021.
Keep Going.
So much time.
What should you do with it?
Now, more than ever, our welfare matters. Keep Going.
Dizzy is a video showpiece commissioned by Keylight Studios.
Featuring Pauli Soravia, the film is introspective and portrays the cycle that fuels our subconscious existential thoughts.
The Pace is the third short made for DUCFS 2020.
The track is Bambro Koyo Ganda by Bonobo.
The Palatinalps 2019 Final Cut was produced for the Durham University Ski Trip, the largest student ski trip in the UK.
The shoot spanned six days and took us and our gear to new limits. We skied with gimbals and captured Hybrid Minds at apres.
The DUCFS 2020 Charity Video was played as the opener to the Fashion Show in January 2020, which fundraised for Fashion Revolution and Stop The Traffik.
The track, Kin by Tourist, provides an energetic platform for Chloé Smith to narrate over, delivering an emotive message.
The Restoration was the second short made for DUCFS 2020.
The track is Wild by Tourist.
Meet the Models 2020 was conceptualised by Caragh Taylor as part of the DUCFS programme.
Drawing inspiration from similarly themed works by Vogue, this video was a change in pace from the Show’s abstract content.
The DUCFS 2020 Theme Release was the Show’s video-statement piece.
The Theme Release video highlights the lack of transparency within our modern supply chains.
Women in Sport was commissioned by Durham University Marketing Department and Experience Durham to showcase the exceptional achievements of female athletes at Durham.
The final video is propelled forward by a Contient by ANBR and narrated over with a script written in collaboration with the marketing department.
The Trap was the first short made for DUCFS 2020. It marked the ticket release in November 2019.
The track is Girl by Jamie xx.
The Pink Mist trailer was conceptualised by Tom Shaw and commissioned by Keylight Studios and 1TC.
Tom’s vision informed the content of the trailer, selecting an extract from Pink Mist and blocking the passage to convey his interpretation of the work.
The Tusk Tusk trailer was conceptualised by Izzy McGrady and commissioned by Keylight Studios.
With the slow dolly zoom acting as the master, we are drawn deeper into the darkness of the world McGrady wanted to convey: The Alcoholism, the dark allegories, and the boy too young to understand but not to see.
